
Broadcast
live from the
bathroom wall

Cell’s Sloblo: The ’92 Record That Kicked Dirt in Your Face
Let me be clear: I didn’t discover SloBlo. I dug it up—like a half-buried, busted cassette in the back of some decaying storage unit. Because that’s what this album feels like. A thing the industry forgot to burn. An artifact that somehow slipped through the cracks of the grunge gold rush and managed to survive in the static.
Barkmarket: The Whole Thing’s Held Together With Blood and Wire
They sound like tension. Like the edge of violence. Like something’s about to snap and you’re not sure if it’s the guitar cable or your neck. It’s not music you vibe to. It’s music you survive. Tight, violent, calculated chaos. You don’t hear it—you get hit by it.

Autolux: What It Sounds Like When a Band Refuses to Flinch
Autolux never chased the spotlight. They carved their own space in the dark—drum-heavy, dream-warped, and impossible to pin down. Shoegaze for people who never stood still.

METZ and the Beautiful Noise That Refuses to Behave
META doesn’t build songs—they detonate them. It’s precision chaos, tightly wound noice with just enough control to hold the wreckage together. You don’t clap—you exhale.